- #Waves gtr3 review youtube manual#
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You could even apply this same approach to drums or other groups of instruments. Or, if you’re feeling really brave and going for an early ‘60s sound, bounce them to mono. If you’ve got, say, 8 tracks of backing vocals, try balancing them up and committing them to a stereo track before you move on to the “actual” mix stage. As well as the sonic differences that occur with multiple tape generations, degradation of high-end and so-on, there is a lot to be said for the psychology of making decisions earlier in the process, and whittling down the track numbers. The Beatles’ recordings used these techniques, and in EMI’s archives there still exist ‘slave’ reels of recordings that were collected after their contents were consolidated onto one track of new tape, in order to allow further overdubs to take place. In the 1960s, track counts were strictly limited by the technology of the tape machines available, but could be increased by combining or ‘bouncing’ multiple instruments together onto one track, thereby leaving tape room for other parts. But if the track you are mixing seems to lend itself to some authentic ‘60s vibes, you could add some spice to the recipe by trying some of the following ideas. Obviously, a lot of what can be achieved comes down to the song, arrangement, instrument sounds and performances. Yes, of course we’re trying to achieve excellence and the best possible results, but often it’s by deliberately distressing and distorting things to add a certain magic. So, the approach these days is sometimes the opposite of what our forebears were striving for. What’s also extraordinary, is that despite 50 years of technological and creative progress there is a charm and magic to the sounds of the great records of that era, that cannot always be achieved by simply using the best equipment available today. It’s akin to the Beatles sitting in the studio in the early ‘60s referencing wax cylinder recordings from the time of the First World War – I don’t think they ever did that, although admittedly, the track “Honey Pie” does hark back to the 1930s! It’s amazing that after more than 50 years, there is still so much love for the sounds achieved by the creative recording professionals of the 1960s. See how you can emulate the warmth and character of those classic records when mixing in the box.
#Waves gtr3 review youtube software#
GTR3 software on it's own is quite powerful and definitely recommended for anyone in the market for high quality amp modeling software.‘60s recordings were limited by the technology available, but the sound is still loved by producers and music fans alike. Having said this, the Studio Guitar Interface isn't going to be any better than most audio interfaces, so don't sweat needing all of it together. I haven't used it with the optional Studio Guitar Interface, but with it you'd have a pretty good all in one set up. While in general I'm not the biggest fan of amp modeling as I like to get my guitar sounds using real amps, GTR3 can really help you extend on your natural guitar sounds or make some from scratch. Waves GTR3 is some of the most complete amp modeling software available. Make sure that you have a pretty stable system before purchasing GTR3. I haven't had problems running GTR3, but on a lesser system I can definitely see it happening since it does take up some processing power.
#Waves gtr3 review youtube pro#
I've got a Mac Book Pro laptop that has a 2.2 Ghz Intel Core 2 Duo processor and 4 GB of RAM that I run everything on and have a Digi 002R for Pro Tools. I'm currently running the Waves GTR3 on my home rig, which is Pro Tools 9 based.
#Waves gtr3 review youtube manual#
I don't think that the manual would be necessary but everyone is different. I love that each of the amps is actually modeled after the real thing, making it that much easier to understand. Each of the amps and stompboxes in here will take a bit of time to learn as they're all a little different, but if you're familiar with real amps and guitar gear, you should be able to figure everything out in time. Learning to use the software itself is actually really easy.
#Waves gtr3 review youtube download#
You can even buy it as a download if you want to further shorten up the process. As far as getting GTR3 up and running goes, it shouldn't take very long as it's a simple step by step process like that you'll find with installing any software. Their aim is I guess to provide an all in one recording rig for guitarists who want to move to an in the box set up. I've got GTR3 on my home system, without the Studio Guitar Interface that is also sold with the software as well as individually. Waves GTR3 software is a collection of guitar and bass amplifier modeling plug-ins for your DAW.
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